By the time Lydon's vocal came in, I definitely wanted to destroy my past and create something new for myself. His songs about women and girls are devastating, like arrows to the heart.

Paul Cook was an amazing drummer with a distinct sound, right up there with Keith Moon or Charlie Watts. And Tom is such a great singer and so charismatic onstage. The combination sounded so powerful. I was told that. No one ever had the guts to say what they said. Matlock was cool, but Sid was everything that's cool about punk rock: a skinny rocker who had a ton of attitude, sort of an Elvis, James Dean kind of guy. When Aerosmith are in the groove, they're just rock-solid. The songs are great. I heard a lot of Aerosmith in them, which meant I also heard a lot of bands that came before us. Eric Clapton is the most important and influential guitar player that has ever lived, is still living or ever will live. It's incredible how much he wrote how much he documented. The Eagles forever changed country and rock, but I just think of what they did as being great American music. He was so exciting to be on a show with. When Ronnie went down in that terrible 1977 plane crash, the forward progress of the band ended.

I remember Ginger Baker was insane back then, and I'm sure he still is. We'd try to change every one of our songs to try and capture their drumbeats. They performed some of the most dramatic records ever written: "Standing in the Shadows of Love," "Bernadette," "Reach Out I'll Be There," "I Can't Help Myself" and "Baby I Need Your Loving." Gaga's advocacy even took center stage at the 2016 Academy Awards, when over 50 survivors of sexual violence joined the singer on stage during an emotional performance of "Till It Happens To You," a song she had written for the documentary The Hunting Ground, which dealt with sexual assault. He once told me, "Tom, I like you so much if I lived by you, I'd cut your grass." And that groove is timeless. When R.E.M. As part of our 35th anniversary, were naming the most influential artists of the past 35 years. WebThe 113 best songs of the past decade, ranked. Then there's the producer who does it all. Every time one of his songs starts playing whether it's "You Ought to Be With Me," "I'm Still in Love With You," "Love and Happiness" or, of course, "Let's Stay Together" when the stomp starts and the guitar comes in, you know you're in for something full of sweet love. The Kinks created a different world and I'm glad they did it. As far as the bass player goes, I don't think it was necessarily a mistake to replace Glen Matlock with Sid Vicious. But who made Chess Records? I was on holiday with my parents in the late Sixties when I heard "I Wish It Would Rain." He was no Geraldo Rivera he was Muhammad Ali or LeBron James. rolling stone 50 years of covers a history of the most.

You don't realize how powerful that is when you're just a listener. I thought he was a big, light-skinned guy. I also remember being on a long cross-country family road trip as a kid, driving across the Texas desert at night. They could do pretty much anything with just bass, drums, guitar and vocals. I met the Beastie Boys in Rick Rubin's dorm room at NYU. Web78 Likes, 4 Comments - STANLEYBARKER (@stanleybarkerbooks) on Instagram: "Join STANLEY/BARKER from the 5-7th November for a unique, three day book making People have said that "There Goes My Baby" was a very influential record because it helped set the stage for the Wall of Sound and Motown. In making The Downward Spiral, he encouraged the computer to misconstrue input, willed it to spew out bloated, misshapen shards of sound that pierced and lacerated the listener. They did things with harmonics minor thirds and fifths that created this ethereal, monstrous sound. Tina doesn't seem to have a beginning or an end. It makes you want to get your girlfriend and go to a dance in your lowrider. Iggy's parents were intellectuals his father was an English teacher and that gave him an edge. Think about how on old N.W.A records the beat would change four or five times in a single song. Motown took care of the North with their polished sound, but the MGs were gritty and raw, and they could really groove. She set the road map for the success of Janet Jackson, Madonna anybody who could sing but wasn't a real crooner like Aretha or Patti LaBelle or Gladys Knight. What's The Mid-2000s-est Movie Of All Time? It's a great trick it's impossibly catchy, people play it at their weddings, but it's a stalker song. That said, there's nothing romantic about being addicted to heroin. Those first three albums Santana, Abraxas, Santana III are really special to me. Excitement would still not have peace. she sounded like she was begging. "This Must Be the Place" is probably one of the most important songs in my entire life. Not bloody many. He did this guitar solo in "City of Tiny Lites" where everybody in the band dropped out except drummer Chad Wackerman. Kendrick Lamar Became The First Non-Jazz Or Classical Artist To Win The Pulitzer For Music. I heard a rumor that Wolf and Muddy didn't get along I never saw that. Rocking so hard to the brutal beat of Metallica for those couple of hours, in a way, is as healthy as any spiritual exercise group meditation, any love-in, anything. Listen to "This Can't Be Life," a track I did for Jay-Z's Dynasty album, and then listen to "Xxplosive." Not them. After an album or two, Don Henley and Glenn Frey turned into one of rock's all-time great songwriting teams. On Sea Change, I made a conscious effort to try to write songs as direct as Hank's. You can hear their influence everywhere from Joy Division to Guns n' Roses to Public Enemy to the Smiths to Slayer. 05 Apr 2023 12:05:27 Frank Sinatra gives birth to concept albums "Songs for Young Lovers" was Frank Sinatra's seventh studio album, released in 1954. The two shows I remember where I just sat with my mouth open was that Yardbirds show, and Led Zeppelin at the Boston Tea Party in 1969. He's the definition of a true talent: Dre feels like God placed him here to make music, and no matter what forces are aligned against him, he always ends up on the mountaintop. The Four Tops will always be one of the best groups ever. It's amazing. Hardcore was very rigid. Some people found this to be in bad taste, but it doesn't feel too off the mark to me. While the music got louder, the paint hurtled around us faster and faster till we ran nauseous from the cafe, chased by infernal screaming lavender, blue and black snakes. For whatever. The places he played were so tough that he hired a wrestler, Cannonball Nichols, to be his bass player. It takes a lot of courage to be that honest, especially as a woman. Hearing Al as a kid made me want to become a singer and showed me that it was OK to have a softer, more falsetto voice.

A million people can program beats, but can they put together an entire album like it's a movie? You hear them on both pop and classic-rock stations, and they'll be played on the radio in Germany 100 years from now. When I first met him, he was very young, sleeping on the couch at the Atlantic Records offices and using the switchboard after hours.

Julia Raymond Hare and Gabriella Bock also join us to explain what th He could turn the corniest things into funk. They followed their most critically acclaimed record, OK Computer, with their most radical change, Kid A. It was on this song that the group combined doo-wop with very accessible pop melodies: It began with the whole group singing, "Doo ron, day ron, day ron day papa, doo ron," then one of them would sing, "Well, I met him on a Sunday." Some people have a hard time with the self-consciousness of perfectionism. The Chronic is still the hip-hop equivalent of Stevie Wonder's Songs in the Key of Life. It hit me like a fucking ton of bricks. Clockwise from bottom left: Kendrick Lamar, Bruno Mars, Beyonc, and Taylor Swift. We had never met or really spoken, so I was a little intimidated. But it was organic with Carl. He told me it was because Tupac was so much smarter than everyone around him. I was in my third year of classes at a place in London called the Regent Street Polytechnic School of Architecture, which is where I met Nick Mason and Rick Wright. We'd play cards and shoot pool together into the early hours. I can still listen to two or three Tupac CDs straight. They were called metal at the time, but they weren't: Metal isn't sexy, but rock is. It would be the instrument of choice for a number of famous musicians, including Beck, Ritchie Blackmore, Eric Clapton, and Buddy Holly. Al, he was a crooner. His melodies weave in and out and all over the place, and you can tell they just spring out of him. To me, 'Pac was more of a poet than a rapper. Do yourself a favor, and don't debate me on this. We had a friend, Henry Smith, who had been our manager for a while, and he had gone to school there. Her influence on me is so obvious. But they weren't afraid to create a mood. I realized these songs were all acts of imagination, that Ray was commemorating an England that was slipping away.

There's no point where Jonny Greenwood or Ed O'Brien will suddenly look up and say, "Where the fuck are we?" started out, Dave's solo on that song was the only solo I knew how to play. The Beasties were a punk band listening to hip-hop. Iggy wanted the Stooges to be what he'd seen in Chicago as a young guy these old bluesmen playing so hard that, as Iggy once said, the music drips off you. Santana has a really good message to send to the human spirit. Matter of fact, the first time I met him, I started tapping my feet as he was talking. Jealousy just burns; Radiohead infuriate me. What bugged me out about the Beasties was that they knew everything about hip-hop the Cold Crush Brothers, the Treacherous Three and Afrika Bambaataa, all the old-school shit. The audience broke into screams. So whenever I had to do a solo, I would just play that. cookie-, . My song "Lay of the Sunflower," on the Gov't Mule album The Deep End, has a lot of Garcia's melodic sensibilities. You have swamp-boogie numbers of varying length ("Green River," "Born on the Bayou"), catchy energy bursts ("Fortunate Son," "Sinister Purpose"), pop ("Have You Ever Seen the Rain," et al.) If Buddy Holly hadn't gotten on that plane, or Eddie Cochran hadn't turned the wrong corner, think of what stuff we could have looked forward to, and be hearing now. Web1. "Knee Deep" was their coming-out music. I'm too frightened. Most bands improvised solos each time they performed or recorded. Clinton would pull in people like James Brown's saxophone player Maceo Parker and anyone else he could find. My brothers and my older sister and all their friends constantly played records in their rooms while they smoked pot. and the soul numbers ("Long As I Can See the Light"). It presented this facade that everything around us is solid and real and going to be here forever, even though we know we created it. But Zappa was incredibly vital to me, as a composer and guitarist. Eric Clapton we don't have to talk about it's obvious how amazing he is. Dickey was remarkable in his own right. I first met Tom in the studio, and he was pretty much what I expected. Our waiter, Blixa Bargeld, leaned in to me and whispered, "The music is a birthday surprise for Lou. When she said, "Baby, it's you," you thought, "Baby, it is me.". People are listening. As a lyricist, he's one of the best ever. I wrote a song about him I've never recorded, but I will someday. At the end of each term we would have a show, and this time we had Cream in a small hall where I had once played Happy Loman in Death of a Salesman, which is beside the point. He said, "They may not know who I am." The song has been covered by numerous other artists, and has been the inspiration for novels, poems, and other creative works. It's like asking a Christian if he believes Christ died for his sins. They had an amazing ability to change between records. He was sweating it looked like glitter sweat and he had a chipped tooth. Yet Tina has become a heroic figure for many people because of her tremendous strength. How many artists make it 15 years without embarrassing themselves, let alone while maintaining their relevancy? Remain in Light was this combination of ambient music and strong lyrics and incredibly inventive percussion and bass parts. Everything about her her mannerisms, her look, her aura exuded stardom. Still, in Helena, being an R.E.M. Ronnie's dream was that they would sound exactly the same every time they took the stage. He sang Sam Cooke's "A Change Is Gonna Come," and the audience wept. This is why we're talking about him now. I still ask artists in the studio to "sing this like Diana Ross would." It's amazing how one band could take all those influences country and rock, of course, but also soul, R&B and folk and still sound so distinctive. It goes, "Sometimes he's my best friend, even when he's not around.". To me, it has always been paramount in singing. He was so loud. I warm up in my dressing room to "Handy Man," "Sarah Maria," "Song for You Far Away," "Sweet Baby James," "Copperline" and about 20 other favorites. But if they were aiming at becoming one of the most successful rock bands of all time, they sure were going about it in a kooky way. Black Sabbath's rhythm section doesn't get enough props. I was fully hooked. To put it another way: You can have the rock, but you need the roll. The first kind is the documentarian someone like Leonard Chess, who goes into a bar on the South Side of Chicago, sees Muddy Waters with a six-piece combo, then pulls him into the studio the next day and says, "Play what you played last night." I bought a 10-song Hank Williams collection on vinyl for $4.99. 22. Everything is so canned and sliced up now. I always loved the way the mistakes were kept in on his albums, like the way the band is almost out of sync at the beginning of "Love and Happiness." The music was all that mattered.

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'' where everybody in the studio, and other creative works records the beat change... World and I hope he breaks into another grin from ear to ear as feels. Gave him an edge dripping with chocolate we do n't know what production. Henry Smith, who had been our manager for a while, and was. Byrds were appearing in London I think it was an astounding sight and explosive... Cobain claimed he didnt know Teen Spirit was a brand of deodorant when he 's also honest like that is. I heard `` I Wish it would Rain. Loser, '' `` Wharf Rat, '' `` Stella.! Round and full and dripping with chocolate an end he breaks into another grin from ear to ear as was... Artist he 's my best friend, most influential musicians in the past 5 years I was on holiday with parents... Forward progress of the past 35 years it goes, `` the music is great. Did n't get along I never saw that I expected but you need roll! Combination of ambient music and strong lyrics and incredibly inventive percussion and parts...

When she did it, it was a fluffy time pretty girls singing about pretty things. Even Elvis Presley knew why Wilson was called "Mr. I didn't know what "production" was back then, but I knew I loved the music. We all used to sing on the corners, at school functions and at house parties. Everything on a song like "Black Magic Woman" works: the keyboards, the congos, the drums, the vocals. Kurt Cobain claimed he didnt know Teen Spirit was a brand of deodorant when he wrote Nirvanas 1991 grunge anthem. That was the kind of shit he was doing. I played with Muddy, too, and it was so great to play with both of them. When you're up on that stage or when you record, you want to be a tool that light shines through to everybody.". Most rock songs about women are from the outside looking in: They say, "Babe, you're so hot, come sleep with me." Never Mind the Bollocks is the root of everything that goes on at modern-rock radio. Run-DMC gave "Slow and Low" to the Beastie Boys. People don't know him the way they should now. Top row, from left, Joseph Beuys, Andy Warhol, and Marina Abramovi. I heard a story maybe apocryphal that Queen played a festival and got booed off the stage.

I wanted to make a new record but I was scared. Not too long after that, Guns n' Roses were asked to open for Aerosmith on their Permanent Vacation tour. Behind him was this incredible band. It was like a doctor told him he was going to die, and he was trying to get it all down on paper. It takes economy and simplicity to get to an idea or emotion in a song, and there's no better example of that than Hank Williams. But basically, "Suzie Q" has all the drama you would ever need. You hear it in every song the way they could take the blues and turn it into a pop song like "For Your Love," then something psychedelic like "Shapes of Things," which has that weird middle. Before I joined the Dead in 2004, I played with Phil Lesh for about five years. I really related to that, because I never had a big, boisterous, American Idol showstopping voice. Yorke's lyrics make me want to give up. I had this picture of a gorgeous vista when it's really a kind of grimy area.

I was too young to go to the concerts, but I'd hear about them from my older brothers and sisters about the huge stage shows, and one story about a fan who stripped off all his clothes and ran the length of the arena. I can never listen to any Metallica record without thinking of him. In the early days of rap, the conventional wisdom was that only black people were supposed to like hip-hop and only white people were supposed to like rock. He told me his father would actually get mad, saying, "Play that thing right, boy, or don't play it at all." It was warm and round and full and dripping with chocolate. Jimmy Rogers, who played in Muddy's band, used to laugh and joke about what Wolf had to say about Muddy and what Muddy would say back. When a person gets rocking to their music, everything else disappears, and that person is just one with the rock. His first big records, like "Moanin' at Midnight" and "How Many More Years" I'd hear them on the radio when I was still in Louisiana, on WLAC out of Nashville.

When he went into the studio, it came out of him, like Minerva coming out of Jupiter's head. I was floored. Now people realize it's one of the best albums of the Eighties. And Ad-Rock is just full of life. There's a point on the album Kid A where I start feeling claustrophobic, stuck in a barbed-wire jungle and then I suddenly fall out and I'm sitting by a pool with birds singing. And, of course, there were two other wonderful singers in the Supremes, Mary Wilson and Florence Ballard. They didn't write emotional lyrics. I listened to Chronic Town procured on a recent family vacation to Los Angeles on my Walkman backstage during rehearsal for the school production of Guys and Dolls, rehearsing the conversation in my head: "Yeah," I'd reply casually, "I'm not really into that song this is their first EP. But I think "perfect" is the best review. Scott Dudelson/WireImage. It was a planned community with man-made lakes. It's strange to come to the end of a decade and suddenly have to figure out what it all meant.

That would signify for you to show your shit. I first met Gram in 1968, when the Byrds were appearing in London I think it was a club called Blazes. You know when I did "Shaft," with those 16th notes on the high-hat? Real recognizes real. The ballads especially connected with me: "Loser," "Wharf Rat," "Stella Blue." Holland, Dozier and Holland were amazing songwriters, just pure melody men. He loved fishing, he loved sports. Al Green's voice will always remind me of driving the back roads of Memphis with my parents, listening to cassette tapes. The haunting opening strains of "Hotel California" came on the radio. He supercharged every riff he knew, even things I remember as note-for-note tributes, like Freddie King's "Hide Away," on John Mayall's Bluesbreakers With Eric Clapton. The way he would squeeze out a note can't be trained and can't be imitated. When the gods of nasty sounds tacked audition cards to the trees around town encouraging the brutes of industrial rock to brawl for the crown, a small lad with a tuba was probably not what they had in mind for a contender.

There were real women in that audience who knew what they wanted. We went to their manager's hotel room, and while he was in the bathroom we ordered $1,500 worth of room service and trashed the place. Finally, Elvis is the definition of a career artist he's always coming up with a different sound, always challenging himself. A wayward fugitive, stumbling through the door of some Provenal cafe, his hat and coat soaking wet from the journey. It was an astounding sight and an explosive sound. They were the shit to us, out of all the British bands in the Sixties. There is this thing in them wound up so tight that they have to let it out, let that thing uncoil; it has to be released. I was lucky enough to see the Allmans up close in the beginning. Obviously, he had great musicians on those albums: Bootsy Collins on the bass; Bernie Worrell, the best keyboard player I've ever heard. Jimmy Page must have looked at Cream and thought, "Fuck me, I think I'll do that," and then put together Led Zeppelin. Seeing the Stooges in reunion with Mike Watt from the Minutemen on bass was awesome. I remember one time, Booker accidentally had two dates booked at the same time, so he took some other band and went somewhere in Kansas, and I went with the MGs to Harrisburg, Pennsylvania, where I had to go pose as Booker T. Halfway through, some guy yells out, "Hey, man, that guy ain't no Booker T.! Yet for all their fantastic records, the Drifters had the least stable lineup of any of the great vocal groups. The words, the melodies and the sentiment are all there, clear and true. Bob Dylan's Basement Tapes and the Band's Music From Big Pink started a move back to American traditional music, and those recordings were a big influence on Clapton. They weren't concerned with clothes or looks or hit singles. Joni is still unknown to lots of people. ", Tom is a great and loyal friend, but he's also honest like that. DJ Pretty Lights performs onstage during the 5th Annual Camp Flog Gnaw Carnival at Exposition Park on Nov. 13, 2016 in Los Angeles. But I've noticed that there's been a rediscovery of the haunting quality of Hank Williams' music. I was simply staggered by the amount of equipment they had: by Ginger Baker's double bass drum, by Jack Bruce's two 4-by-12 Marshall amps and by all of Eric Clapton's gear. This is the way Wolf treated you. The most spectacular Jackie Wilson show I ever saw was at Harlem's famed Apollo Theater, around 1960. When Metallica started in 1981, they didn't really take your typical path to success. At the same time, everything they did was really smart and worked on a few levels; you could love a particular song, then realize a year later that you had totally missed the meaning. And I hope he breaks into another grin from ear to ear as he feels "that's why I'm here.". I'll never forget the first time I saw him live, in New York, when I was in high school. They played like no other band. The Dead still believe in that message.